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The musical traditions from County of Nice: Music introduction - Cross-over Popular songs - Animal songs - Racy lovesongs - Work songs Political, social and satirical songs - Contemporary songs Carnival tunes - Circumstance tunes - Close couple dances - Characters dances - Farandole - Feasts - Round dances of May Music for children Chimes & knells - Sacred & religious music - Christmas carols from County of Nice - Sanctuaries
Brief survey of the traditional musics from the South of France: The Occitany - Limoux’ carnival tunes The Piedmont - The Provence - Christmas carols from Provence
Other countries

De la musique avant toute chose... (Music before any thing...) | Paul Verlaine, Art poétique, “Jadis et Naguère”, 1884. |
Que mon livre [soit] une source toujours fraîche et vivifiante où viendront boire les générations futures. ([Be] my book a spring always fresh and invigorating where will come to drink the future generations.) Georges Delrieu, Anthologie de la chanson niçoise, “Quelques propos”, 1960.
In almost totality of its repertory, the traditional music of the County is essentially tonale, regular, linear.
Its monodic simplicity does not use either syncopation (excepted some rare exception, such Si laude Maria, or the more recent Gloria from Mossa), or rhythm rejection, or hemiola, or asymmetric measures.
The polyphony represents only a small part of the vocal music. It developed in a very simple shape, with two voices, in third parallel song. More rarely a bass to assure harmonic seat by a drone. Here, no melism or ornementation, as the Mediterranean polyphonies from Corsica or Sardinia spread them.
The music to be danced was exclusively instrumental, one did not dance at the sound of the voice. I do not know such “dance song”. On the other hand, the melodic instruments used do not produce important muscular fatigue at the musicians (contrary does the bombard, for instance), who can so play a tune in its totality, without the need of intermediate rest. So, the necessity of developing the antiphony was not felt, no more in vocal music than instrumental one. (There was very often in the village only a single fife player!) Therefore, one finds neither tiling nor hiccup technics.
In following pages, traditional music titles are sorted by: | | for instrumental tunes (without lyrics), according to their allocation: circumstances tunes, close couple dances (mazurka, polka, waltz...), characters dances, farandoles, round dances of May, etc.; | | for songs, according to topic of their words: love songs, animal songs, feast songs, work songs, political, social and satirical songs, Christmas carols, counting rhymes and lullabies, etc. |
This survey wouldn’t be complete if it didn’t mention the songs Georges Delrieu gives in the annex of his Anthologie de la Chanson Niçoise (Song of Nice-city anthology), under the Cansoun bruti (Dirty songs) classification. Nice inhabitants will appreciate...
© 2001-2023 Jean-Gabriel Maurandi.
The musical traditions from County of Nice: Music introduction - Cross-over Popular songs - Animal songs - Racy lovesongs - Work songs Political, social and satirical songs - Contemporary songs Carnival tunes - Circumstance tunes - Close couple dances - Characters dances - Farandole - Feasts - Round dances of May Music for children Chimes & knells - Sacred & religious music - Christmas carols from County of Nice - Sanctuaries
Brief survey of the traditional musics from the South of France: The Occitany - Limoux’ carnival tunes The Piedmont - The Provence - Christmas carols from Provence
Other countries

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